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Wednesday, 21 March 2012

St Patrick's Day and Night

I've been a lackadaisical blogger lately and this post is embarrasingly late. (Okay, also because I took the night pics after coming home, and most of the photos were hazy artistic renderings of my bathroom ceiling / left earlobe.)

Daytime pictures in natural light. Nighttime ones in artificial light + flash.

Day 
Rouge Bunny Rouge's delicate lime Resplendant Quetzal as an accent in a girly springtime look. RBR pigment in Sleeping Under a Mandarin Tree (I recently received a decant of this holographic marigold-shifting-to-lemon from a generous friend) all over the lid and under the inner part of lower lashline, with Chestnut-Napped Apalis in the socket. A perky flick with KATE gel liner BK-1 and a basic volumising daytime mascara, Maybelline Falsies wp. [Not pictured: GOSH white kohl]

Paired with one of the new Shu Uemura Rouge Unlimited lipsticks (CR330) and RBR liquid bronzer on high points to add warmth. Base is Shu Stage Performer and Underbase Mousse Pink Purple as a base, with custom concealer (RMS 11 + Illamasqua white) as needed.


Night
Standard issue green smokey, incorporating as many of my new toys (from swaps! and gifts! honest....) as I had time for with utter disregard for clashing of undertones and other such canards.
Make Up Store pencil in Sparkling Smaragde as base and taken under eye with a dab of Green Card in the inner corner. On the lid: the two greyed greens from Kevyn Aucoin Essential Eye Palette #6 with Addiction Pink Python closest to the lashline [not pictured, impulsive addition] and Collection2000 Glam Crystals glitter eyeliner Pizzazz on the upper lashline. Waterline rimmed with MUFE Aqua Eyes 0L and clumptastic lashes with two coats of Majolica Majorca Lash King.

Paired with cool petally pinks rather than the more usual coral/peach -- Addiction Miss You More lipgloss and Shu Uemura Sakura blush. Same base as for day with the addition of Paul&Joe Light Cream Foundation S 00 -- you can see my custom concealer didn't quite hold up on the mutant boil I'm currently cultivating in between my eyebrows. Back to the lab....

Sunday, 18 March 2012

Sensai The Lipstick 21 Shirafuji review and swatches

Ever since I posted paper swatches of the Kanebo The Lipstick range, an internal clock has been counting down to my inevitable purchase. With the help of a £20 voucher from Harrods to halve the £40 price, I chose 21 Shirafuji, a versatile neutral bright rosy pink -- which will count as three of twelve.
To thoroughly test out its anti-ageing skincare claims, I wore this lipstick continuously over two sets of five days in a row (in very cold early February and once again in warm mid-March)... and saw absoutely no improvement in the condition of my lips after either period. Honestly not a shocker given the fairly standard ingredients list (note that the much touted koishimaru silk extract comes right at the end, just before the parabens, and that the gold is just an afterthought):
I'm sceptical of any makeup that claims to replace skincare anyway so the absence of any longer-term effects isn't a dealbreaker; though it's a nice bonus when they do improve the condition as well as look of my lips, e.g. Suqqu Creamy Glow, Fresh Sugar, Lanolips Tinted. More disappointngly, The Lipstick doesn't deliver any spectacular cosmetic benefits either. It doesn't emphasise my vertical lip lines (structural), but nor does it blur them. It doesn't make my lips look dessicated, but it doesn't make them look plumped and pillowy either. If my lips aren't in the best condition, it will highlight flakes and chapped areas, though less than some other formulas. And I absolutely need a layer of lipbalm underneath.

Shirafuji applied, emphasising the chapped area on my lower lip:
 (Suqqu EX-07 quad from the Lilac Allure set)

And on lips in dry but unbroken condition:
That said, it's a perfectly nice formula and the tone of this review would be pretty different if the retail price were around £25. Medium pigment, elegant satin cream finish, scentless, weightless feel, good lasting power fading to a light, even stain after a meal (although a darker shade may last/stain better). The packaging has a nice heft and looks sleekly, quietly luxurious, and it's not as GOLD! as I'd feared based on picture.
(Surely I'm not the only one who cares about this very important element. The YSL has been depotted, btw)
The shape of the bullet itself is also well thought-out; there isn't a 'front' and a 'back' but two gentle slopes tapering to a slim horizontal line, which makes for precise touch-ups. And you get a plush black velvet pouch which is -- oh Japanese attention to detail -- a perfect fit (I hate opening my bag to find that a heavy lipstick has abandoned its designated costume and wreaked havoc on my phone/camera/kindle/ipod).

Okay, you know it's desperate times when a serial depotter compliments packaging in an attempt to be fair. Here are some comparison swatches so you can see where this shade lies in relation to some other roses (next to red, my favourite shade):


From left to right and cool to warm:
Kanebo Lavshuca Dramatic Memory Rouge RS-1
Sonia Rykiel Sublime Lipstick 24
Kanebo Sensai The Lipstick 21 Shirafuji
Suqqu Creamy Glow 02 Kyoganoko
Guerlain Rouge Automatique Chamade
Hourglass Femme Rouge Fresco
Rouge Bunny Rouge Colourburst Whim of Mine

Obviously, I have no complaints about the shade, which changes a bit depending on lighting, but is equally flattering on lips and cheeks, and has enough slip to work beautifully as a dewy cream blush:
(Chanel Beiges on eyes)

In conclusion, Kanebo Sensai The Lipstick is, at £40,...

Not as good as: By Terry Rouge Terrybly (£31), Suqqu Creamy Glow (£27) or the best Guerlain Rouge G's (Gigolo, Girly and Garçonne, £29.50), Guerlain Rouge Automatique (£24.50)
On the other hand, better than: Serge Lutens (£53), Cle de Peau Lipstick ($55+) or Tom Ford (£35)
On par with: Hourglass Femme Rouge (£22), the best Chanel Rouge Allures (Genial, Super £24)