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Monday, 8 October 2012

Addiction Arabian Nights Kohl Eyeliner

This autumn, Addiction's "Desert Rose" collection introduced four new permanent powder kohl eyeliners to the range. Each kohl comes as a split-pan duo and shares the dimensions of the other single eyeshadows; they also depot just as easily and fit perfectly into the Addiction custom compacts.

I chose Arabian Nights, which pairs rich burgundy with copper-sparkled black.
Addiction Arabian Nights Kohl Eyeliner

I did experience some learning curve wobbles with this formula, which is so densely, creamily pigmented that the minutest speck of fallout would suddenly mainfest as a huge black or burgundy schmear across my cheek just as I was about to head out the door.... Having rotated through all my liner brushes, I find this kohl to play best with a dense small brush, neither too pointy (e.g. Hakuhodo 007) nor too thin (e.g. MAC 266, Shu 6OB): the most convenient for me were the Chikuhodo 6-1, Hakuhodo 5515 and my two most versatile brushes Shu Natural 10 and Suqqu Eyeshadow S. The other big thing that minimised fallout on the skin (and unsightly gouges in the pan): light pressing motions, both to pick up colour from the pan (seriously, you barely need to hover over these to pick up a lot of pigment) and to apply it to the eye.
These look and behave much more like cream liners than powders, so are more readily smudged than blended out. Like the best creams and gels, they last all day without fading or creasing on me (dry lids) and also hold up excellently on the waterline.


Swatches
Addiction Arabian Nights Kohl Eyeliner swatch
natural light
Addiction Arabian Nights Kohl Eyeliner swatch
with flash
The burgundy is a sumptuous glowing satin, which looks more reddish in brighter light (picking up its ultrafine copper pearl) and more plummy in shade (even in the pan, there's a subtle interleaving of grey-purple tones with the richer wine ones).
The black is a little disappointing, as the copper sparkles (while individually larger than the micro-pearlescence running through the burgundy) are so sparse that a fine line pretty much just reads as black on me. It's admitted a good black with unusual density and a hint of sooty warmth. But me. want. glitter. D:


Like Fyrinnae Pumpkinfire. Now that's a black with copper sparkle, dammit! Other shades all Fyrinnae: Dorian Grey (which is about as sparsely shimmery as Arabian Nights, but with cooler-toned sparkle in a cooler base) and Monarch Butterfly, a much more texturally flat (iridescent duochrome) take on the black/copper thing.
Addiction Arabian Nights Kohl Eyeliner swatch Fyrinnae Dorian Grey Pumpkinfire Monarch Butterfly
with flash
The Arabian Nights burgundy is pretty distinct from most of the other vaguely related shades in my stash, except for the limited-edition Kate Super Sharp Liner S in RD-1 (which was a pitch-perfect gift from the lovely Liz of SoLonelyInGorgeous: thank you, dearest! <3 I had given up hope of getting my hands on this one.) 
Other shades: Addiction Lady of the Lake pencil, Estee Lauder Vintage Violet cream shadow, Chanel Ebloui Illusion D'Ombre, and finally Solone Smoody Gel Liner Red Wine.
Addiction Arabian Nights Kohl Eyeliner swatch Lady of the Lake Pencil Estee Lauder Vintage Violet Chanel Ebloui Solone Smoody Gel Liner Red Wine


Looks with Arabian Nights
One Thousand Three And One of them! (That's four for anyone who went cross-eyed there.)
Throughout: Fasio Ultra Curl Lock Volume mascara, Browlash EX Pencil in Natural Brown through brows, Burberry Sheer Concealer 01 under eyes, Becca Compact Concealer Meringue on blemishes.

1. Super Natural 
Black side of kohl on a pencil brush (Hakuhodo 5515) softly smudged along upper lashline and the inner and outer corners of the lower lashline. Rouge Bunny Rouge Alabaster Starling as a centre-of-lower-lashline highlight.

Even MOAR highlighting, with Rouge Bunny Rouge Sea of Clouds and Shiseido High Beam White. Subtlest touch of RBR Delicata blush on edge of cheekbones. Addiction Day Trip sheer lipstick, built up.
this is me realising my 'glowy' may read as 'too much' / 'visible from space' / 'I'm bliiiiiiind' to most 


2. Brainless Smokey
Black side only, to line upper and lower lashlines (Suqqu S) as well as waterlines (Chikuhodo 6-1), smudged out with Addiction Concrete Jungle for a one-minute smokey eye.


Armani Maestro Foundation 2, with Addiction Faithful on lips and RBR Gracilis on cheeks.


3. Tonal Copper
The burgundy side on a Hakuhodo 5515 brush to line upper lashline paired with the peach and bronze shades from Suqqu Kakitsubata. Black side with Chikhodo 6-1 to line waterline and lower lashline, smudged out with the rest of the burgundy left on my 5515.

Rouge Bunny Rouge liquid bronzer all over to make the coppery shades harmonise better with my skin, Shiseido High Beam White to highlight centre of face. A sheer (one swipe) application of Addiction Day Trip lipstick (cf. Look 1 above), with more of my naturally pink lips showing through.
another one of those days I spend too long on makeup/pictures and have to run out with wet hair 


4. Both sides! with bells on. 
Burgundy worn as eyeshadow on Shu Natural 10, heaviest in outer V and blended inwards to meet Addiction Flashback on lid and in socket. Black side on Chikuhodo 6-1 to line upper lashline and waterline, with burgundy on Shu 6OB lining the lower lashline to the inner corner.

I said bells, okay? Addiction Blue Moon patted onto centre of lid and inner corner to play up the plum aspect of the burgundy kohl.


I rolled with the cool tones, with Addiction Amazing Cheek Stick on cheeks and Psychadelic gloss sheerly on lips, and Shu Uemura Nobara 584 for base.


Addiction Kohl Eyeliners are made in Japan and retail for ¥2625 each.
For even more info, hop over to Rouge Deluxe for a review/swatches of Night Dive and Secret Nights and to Makeup and Things for a picture of all four kohls together.

Friday, 5 October 2012

Precision Instruments

I favour precise tools. Usually this means small, and almost always directional, both to suit my features, which are small but defined (i.e. lots of protrudey bits and sunken-in bits) and, more importantly, to complement how I like to apply and wear my makeup.

Of course, there being no justice no justice at all in the world, sometimes even a small, directional brush in an exquisite hair type just...won't work. As I'm in full autumn clean mode (back-to-schoolism?), this post will be consist of much typing out loud to sort out some of the whys and wherefores of a few recent delights and disappointments.


Delight: Hakuhodo 5515 (G5515BkSL for $15)
This tiny pencil brush is a perfectly formed miniature of the MAC 219 -- its horse hair actually feels softer than MAC's goat and the shorter hairs maintain their tapered shape better, making it feel denser and work more precisely. The 5515 handles every formula I've thrown at it, from cream and powder shadows (used dry or foiled) to kohl and gel liners, and it even does a great job of smudging out liquids. It's both precise enough to line with (even tightline with), and has enough body to smudge with.
1. Real Techniques Pixel-Point Eyeliner Brush (synthetic, from the Starter Set)
2. Hakuhodo 5531 (synthetic)
*3. Hakuhodo 5515 (pony)
4. No 7 Smokey Eyeliner Brush
5. Laura Mercier Smoky Eyeliner Brush (synthetic)
6. MAC 219 (goat)
7. Suqqu Eyeshadow S (grey squirrel, discontinued)
The Hakuhodo 5515 is smaller than every other pencil brush in my collection, and its tip is even finer than the brushes to its left which are marketed as eyeliners (which, precision freak that I am, I use for spot concealing instead).




Disappointments: 
Chikuhodo Artist 6-6 (¥2520 for long or short handle) 
Hakuhodo 127 (B127BkSL for $33 or S127 for $51)
Neither of these brushes worked for me, for the same reason: a mismatch between shape/size and hair type (Canadian squirrel). They share a slightly tapered paddle shape, which is, along with the pencil, my favourite shape for eyeshadow brushes. 
1. Chikuhodo Artist 8-1 (kolinsky)
*2. Chikuhodo Artist 6-6 (Canadian squirrel)
*3. Hakuhodo 127 (Canadian squirrel)
4. Shu Uemura Natural 10 (kolinsky and sable)
Canadian squirrel lacks the body and snap of kolinsky/sable which makes the middle two brushes far less effective at lay-down. Each squirrel hair is also much finer and more naturally tapered which results in a thinner and less fluffy brush tip, so the sable brushes also win out for blending -- the reason I love this shape so much is because I can both pack on colour and blend it out with the kolinsky versions, used on their sides and tips.

My most-loved blending brushes are squirrel hair [hence the logic behind my original purchase] but they are much more rounded and precise, which prevents the softness of the hair from becoming a floppy liability.
1. MAC 286 (the only synthetic in the bunch, but to illustrate my consistent preference in blender brush shapes)
2. Stila 9 (old blue squirrel version; current version is goat)
3. Suqqu Eyeshadow L (grey squirrel)
*4. Hakuhodo 127 (Canadian squirrel)
*5. Chikuhodo Artist 6-6 (Canadian squirrel)
6. Nars 12 (squirrel)




Delights: 
Hakuhodo 5512 (G5512BkSL for $15)
Hakuhodo 521-D1 (G521 D1 for $20)
Before acquiring these two brushes I hardly ever tightlined, even though its benefits are ones that really do appeal to me: the appearance of thicker and longer lashes with just a few squiggles of an intriguingly gimmicky brush? Why won't you let me love you as I know I can? As it turns out, I just needed to go even gimmickier with the brush to fully appreciate the wonders of the technique....
1. MAC 231 (synthetic)
2. Chikuhodo Artist 6-1 (kolinsky)
*3. Hakuhodo 5512 (pony)
*4. Hakuhodo 521-D1 (weasel)
5. Laura Mercier Flat Eyeliner (synthetic)
6. Stila 13 One-Step Eyeliner (synthetic)

Compared to conventional tightlining brushes (especially 5 Laura Mercier's most famous rendition), the Hakuhodo precision instruments are, at a fraction of the length and width, and in ultra-short dense natural hairs, far more precise. My eyes are small but my lashline is quite curved so the wider, totally flat brushes tend to stamp awkward too-long, too-straight lines which look like makeup -- missing the very point of tightlining, invisible augmentation. And with a thin line of longish synthetic hairs, I find both the Laura Mercier and Stila versions unweildily floppy when trying to do the textbook 'wriggle in between the lashes' manoeuvre.
The curved push brushes (1 and 2) which I love for regular eyelining would be a workable size and length but their fluffiness (which stops liner from being too harsh) makes them too thick for tightlining -- at which the Hakuhodo 5512, a scaled-down version of the same shape, excels. But it's the 521-D1, with its concave curve -- it pushes colour right into the curve of my lashes by itself -- which really has me bewitchedbotheredandbewildered tightlining on the regular.



Obsolescence: Hakuhodo S116 Highlight Brush Round and Flat ($78 here)
Technically not really a disappointment -- I originally bought this ridiculously airy blue squirrel paddle to tap/sweep on soft blushes in soft Jung Saem Mool style placements (while humming her plinkyplonk music), and it worked perfectly well for that. Since ruthlessly editing my blush wardrobe this year to focus on creams and pigmented powders, I realised I kept passing over this in favour of more rounded brushes with greater bounce.
1. Illamasqua Highlighter (synthetic)
2. Chikuhodo Z-2 (grey squirrel)
*3. Hakuhodo S116 (blue squirrel)
4. Suqqu Cheek (grey squirrel)

In particualr, the Suqqu Cheek is my go-to for powder blushes, and the Illamasqua Highlighter for creams. But it's really the ridiculously versatile tapered candle shape and perfectly balanced grey squirrel hairs of the Chikuhodo Z-2, which can mimic the placement of a slim flat brush as well as a dense round one depending on the angle at which you use it, which finally convinced me to say goodbye to the S116.

Sunday, 30 September 2012

Mascara Review: Fasio Ultra Curl Lock Volume BK001


In short: the neater and more intense but just as hard to remove version of Majolica Majorca Lash Expander Frame Plus.

Yeah, those kooky Japanese companies and their polysyllabic mascara names, eh? After trying dozens over the years my eyes automatically skate over them looking for my personal mascara keywords -- and were recently arrested by this offering from Kosé drugstore offshoot Fasio: Ultra Curl Lock Volume.

My lashes: very straight and quite long; each individual lash is fine but there are quite a lot of them
Mascara requirements, in order of importance:

  1. HOLD A CURL
  2. Volume
  3. No flaking into my easily irritated contacts-wearing eyes
  4. Black (no wishy washy grey or potential pink-eye brown tones)

The combination of 1. and 2. seems to be the sticking point -- I've lost count of the number of mascaras which either volumise but weigh down my lashes OR hold a curl all day but make my lashes look spindly and spidery and generally spoiled.

Since the reformulation/suckification of my old favourite Majolica Majorca Lash Enamel Glamour, the best compromise formulas I've found are:

  • Majolica Majorca Lash Expander Frame Plus -- not enough volume, too many fibres, requires a separate remover.
  • Lancôme Hypnôse Drama Waterproof -- formula is a bit too wet and can clump upon layering, so takes longer to apply and often requires some cleanup with a lashcomb. If I rub my watering eyes a lot throughout the day I can end up with a little bit of darkness at the outer edge of my lower lashline.

Fasio Ultra Curl Lock Volume Mascara is a compromise within a compromise, offering more volume and 'oomph' than Majolica Majorca while giving more definition than Lancôme, as well as being more tenacious and quicker to apply -- after the usual teething period, harhar, of learning to work with a new applicator. TIP: with comb mascaras, it's best not to wriggle the wand and just brush through from lash root to tip working from the outside of the eye inwards. A mascara guard / curved bit of cardboard held against the lid can prevent smudges.

Packaging
The sleek gunmetal tube clicks shut and is effectively airtight, ensuring that the formula stayed consistent over two months of daily use.


Wand comparisons
Fasio and Lancôme applicators are larger and have gentler curves than Majo Majo; they are also longer from tip to handle.
Fasio and Majo Majo are plastic combs, while Lancôme is a bristle brush.


Wands close up
The Lancôme brush comes out of the tube coated with the most product; Fasio and Majo Majo are about equal, but the product is more evenly distributed along the Fasio wand.
The teeth of of Fasio's combs are much more finely spaced than Majo Majo's; it is easier to achieve separation and definition of each lash with Fasio. Sometimes Majo Majo can clump lashes together into two's or three's after a second coat.
Majo Majo's formula has fibres; the other two do not.




Before&After
Lashes curled with Chanel lash curler
One coat of Fasio Ultra Curl Lock Volume Mascara BK001 (top lashes only) 
And that's how my lashes look until I take it off -- my testing has only gone up to 24 hours as I am no longer a wild young thing, just a highly disorganised-with-deadlines youngish thing but I don't doubt it would last for days if necessary....
I would prefer more volume but this is really pretty good for an Asian mascara -- and a step up from Majolica Majorca, which I'd been happily using for years. This Fasio formula is a little wetter and lacks fibres, which makes for smoother, neater application, and also doesn't set quite as 'crunchy' as the Majo Majo. The finer wand/neater formula even works well on lower lashes.

As with Majo Majo, and unlike Western waterproof formulas, I do need to use a separate Japanese mascara remover [old standby Kiss Me Heroine Make] as a pre-cleanse step to get this Fasio mascara off without losing lashes or half an hour of my life.


Fasio Ultra Curl Lock Volume mascara retails for ¥1260 in Japan; I ordered it from adambeauty for $15.50, and have repurchased since.

Thursday, 27 September 2012

After The Honeymoon: YSL Glossy Stain 1 Violet Edition

Original squee (and miscellaneous...I have got to structure posts better).

Nine months on (oddly gestational period, total coincidence, please disregard) I am more in love with this than ever. As the blogsale(s) suggest, my tastes can be somewhat changeable, but this is one of those rare products that inspires something like content, allowing me to avoid such plummy temptations as YSL Prune Virgin and By Terry Carnal Attraction. Content within reason, obviously -- my Glossy Stain wardrobe is expanding like woah because I don't want Violet Edition to get lonely. Get her the proper socialisation and all that.

Anyway, having bought and loved Violet Edition in winter as a no-brainer classic vampy paired with greyed shades, I found myself reaching for it in spring to set off soft pastels, too.

With Suqqu Blend Eyeshadow Quad 02 Kokedama (all shades blended around eye, darkest green to line at a slightly upward tilt) and a similarly diffuse application of RBR Florita blush (on the apples), a sheerer application of Violet Edition is less ladylike and more playful...in a slightly creepy-prim schoolgirl way, okay. but still.

Suqqu Kokedama mixed together makes a cool greyed sage/teal -- its primer shade is lavender and has a definite effect on the other colours layered over it


And now in autumn (fetish, remember), Violet Edition pairs just as harmoniously with the warmer russety tones in my hair [Blythe Freshlight Juicy Apricot] and a haze of old gold on the eyes [Maquillage Alexander Wang BR365]. Blush Dainty Doll Money Talks, in a more usual placement for me (blended inwards following the curve of my cheekbones).
....I forgot mascara on my right eye
so let's pretend I only have a left side, mmkay?

Evidently I really like to offset the decorousness -- potential sombreness -- of this kind of rich, deep shade with soft imprecision on the eyes and cheeks. Enough so that this possibly qualifies as a rut. Your ideas for other looks (including summery ones, as muggins here forgot to pack it for Hong Kong) would be very welcome indeed -- please share in the comments. :)

Saturday, 22 September 2012

Dolce & Gabbana Sole

Dolce & Gabbana Sole blush was a recent, rare impulse buy (I usually prefer to revel in the research part of makeup geekery), but an entirely successful one. It combines two of my very favourite things, red blush and season fetishism*, to give a perfectly glorious summer-shading-into-autumn slightly sunburnt flush.

*Of course, my personal approach to 'seasonality' encompasses working-against (or -at-a-tangent or what have you) as well as working-with; I don't restrict myself to a Puritanical diet of cabbage, squash and gnarly carrots in winter so why play at it in makeup?

Uh, I mean, shiny!

I don't love gold packaging as a rule, but hey, this is actually pretty tasteful for D&G. Nice rounded corners, pretty hefty. Includes an averagely useless mini brush. Not pretty enough to prevent me from depotting it as soon as I can work out the construction.

The Goods
i.e. smooth, pigmented, blendable-with-fingers, wears-true-all-day, unadulterated deliciousness. You know how long-winded and nitpicky I can be so let the shortness and sweetness of this review speak for itself -- this is one of the best powder blush formulas I've ever tried. End of.


Swatch, unblended (sponge) and blended (Suqqu Cheek Brush):
natural light
In general I find warm (orange/coral) red blushes more flattering than cool (pink/blue) ones -- because of the coolness in my skin a warmer red once blended out reads closer to neutral or 'true' red; a cool red combined with the pink in my cheeks tips over too easily into my natural fevered/rosacean/drunk flush. Which is a long-winded way of saying: if I can get a look by slapping myself, I aint going to pay for slap that's the same colour.

Still, within the context of my wardrobe, Sole is the warmest/most orange shade of red I own. And because seasonality is by definition contextual, that probably explains why it functions as my white-shades-and-polka-dot-bikini blush....

Paired with glowy, bronzed skin (Rouge Bunny Rouge Sea of Clouds highlighter and As If It Were Summer Still bronzer) and a complementary orange-red lip (YSL Glossy Stain 9 Rouge Laque), Sole makes this simple look less Snow White and more Rosy the Riveter.
okay...maybe I got a little slap-happy with the bronzer
Another bit of sunlight (I said it was a fetish OKAY) in the wing: THREE Ziggy pigment mixed with Illamasqua Sealing Gel. Other eye makeup: GOSH white kohl, Fasio Curl Lock Mascara Volume.
Minimal beach-girl base (fetish fetish fetish) with strategic dots of Becca Compact Concealer Meringue and Browlash EX Eyebrow Pencil Natural Brown.

Ingredients

Wednesday, 19 September 2012

Wordless Wednesday: Red Blush Swatches

As revealed in a previous post, or two, my very favourite makeup colour is red.

Pictures taken in natural light, on a rarely brightish London summer's day.

Powders
swatches made with sponge applicators
red powder blush swatches Rouge Bunny Rouge Florita, Orpheline, Shu Uemura P Red 14, Addiction Revenge, Dolce&Gabbanna Sole, Kevyn Aucoin Fira, Beauty Is Life Palace, Opera, Sleek Flushed
1. Rouge Bunny Rouge Florita
2. Rouge Bunny Rouge Orpheline
3. Shu Uemura P Red 14 (discontinued; closest in current range P Medium Red 175)
4. Addiction Revenge
5. Dolce&Gabbanna Sole
6. Kevyn Aucoin Fira*
7. Beauty Is Life Palace*
8. Beauty Is Life Opera*
9. Sleek Flushed



Liquids, Creams etc.
fingertip swatches
red blush swatches Hourglass Flush cheek stain, Addiction Revenge cheekstick, Chicca 10 Girly Blush flush blush, Besame Crimson creme rouge, Rouge Bunny Rouge Rubens blush wand, Beauté Fever liquid-gel stain, RMS Beauty Rapture lip2cheek, Illamasqua Crush cream blush
1. Hourglass Flush cheek stain*
2. Addiction Revenge cheekstick
3. Chicca 10 Girly Blush flush blush
4. Besame Crimson creme rouge
5. Rouge Bunny Rouge Rubens blush wand*
6. Beauté Fever liquid-gel stain*
7. RMS Beauty Rapture lip2cheek
8. Illamasqua Crush cream blush

*starred items are ones that I have already bid farewell to or will be looking to rehouse shortly -- look out for Blog Sale Part 2 next Monday.

Friday, 14 September 2012

Addiction Yellow Submarine

It was pretty difficult to single out a favourite item from the magical box of Japanese goodies the beautiful Liz recently helped me get my paws on. But Addiction Eye Lacquer WP in Yellow Submarine (¥2625) might just be it....

(Hey, how often do I let the look do most of the talking?)

Base Mehron Celebre Professional HD Foundation LT-1 [bit too light; will revisit in winter], Burberry Sheer Touch 01 under eyes, Rouge Bunny Rouge Sea Of Tranquility to highlight. Browlash EX Natural Brown pencil in brows.
Cheeks Addiction Amazing powder, taken up temples, subsequently eaten up by camera. *kicks camera*
Lips Guerlain Rouge Automatique Champs Élysées
Eyes Addiction Yellow Submarine, GOSH white kohl, Fasio Ultra Curl Lock Volume mascara


Many Anglophone bloggers have reviewed the Addiction Lacquers by now (links below) so I'll just drivel that they are indeed bombproof and very cool-feeling but they do set extremely fast so it's best to go in with a clear idea of what shape and opacity you want, work one eye at a time, and do not try to layer more lacquer over itself to avoid patchiness or 'bald spots'. If you need precision and neatness, especially a perfectly even application across the entire lid right into the lashline, these probably aren't for you:
See, kinda patchy in close-up, and especially gnarly around my eyelid folds. Not that it's at all visible when my eyes are open -- hoods have their advantages....

The finish of Yellow Submarine (and I believe Aventure) differs from the other seven shades in this range.
Taken from the Addiction site, these aren't bad for official swatches and show the textural difference between Yellow Submarine /Aventure and the other shades
While my other Addiction Eye Lacquer, Swimming Pool, is very similar to the darker/more pigmented sides of the Paul&Joe Eye Gloss Duos  [Addiction and Paule&Joe are both under the Kosé umbrella], Yellow Submarine is more properly, well, a lacquer: an oddly rubberized finish that looks satin-matte in low light and gleams smoothly indoors, it's only in close-up and at certain angles that you can catch the sparse ultra-fine microshimmer (mostly blue and green) scattered throughout.

And while we're on it (disgruntled letter-to-the-editor time), those Paul&Joe 'Glosses' aren't glossy any more than most of these Addiction 'Lacquers' are lacquered; they're both like sparkly gels that, once set, feel like mattes -- if you haven't tried them the closest analogues I know are film-forming lipsticks like the Rouge D'Armani or Lancôme Rouge In Love, or MAC Face&Body foundation. While at certain angles and under certain lighting in studio photography, glitter may translate as 'glossy', in the real world they look like sparkles, dammit, Cullenesque sparkles. And you know what looks like an eye gloss? An actual eye gloss like Rouge Bunny Rouge Angel's Play.


Therefore, while Yellow Submarine is more of a lacquer than its sisters, and has barely any visible shimmer, it still is not a gloss. Okay? Yes, I know I am crazy. Just agree with me about this so I can stop breathing irefully into this paper bag.
Above, Yellow Submarine, blended out, Bottom: RBR Angel's Play
The only shot out of twenty in which any sparkle in YS showed up. Direct sunlight. 

Textural rant out of the way, here's a colour comparison to demonstrate just how well-balanced Yellow Submarine is tonally, and also how obnoxiously bright, especially in the full swatch :D
yellow eyeshadow swatches Addiction Yellow Submarine eye gloss, Suqqu 12 Usukiiro, Shu Uemura M Yellow 300, Sugarpill Buttercupcake, Catrice John Lemo
Suqqu single eyeshadow 12 Usukiiro and Shu Uemura M Yellow 300 [second-gen], are pastel powders, both discontinued.
Sugarpill Buttercupcake is a warmer turmeric.
Catrice John Lemon is closest to the blended swatch of Yellow Submarine, but a little paler and warmer, lacking the unabashedly artificial cool green tinge YS owes to its blue and green microshimmer.

I don't know of any shade close to the opaque swatch of Yellow Submarine, and I've been hunting for years. Thanks again to darling Liz for making my very old makeup dream come true.


For more swatches and reviews:
Aucuparia Brumalis
Beauty of Interest
Makeup and Things
Rouge Deluxe
So Lonely In Gorgeous
and finally Sakura Lovely has swatches of all nine shades together, and a different take on Yellow Submarine (it looks gold on her!)

Wednesday, 12 September 2012

Field Notes: Autumn 2012 Part 2

This batch consists of the By Terry Luxuriant collection lipsticks and cream shadows, and the lip and blush shades from Illamasqua Generation Q.

But firstly a few UK-based PSA's:

  • On Saturday 15th Shu Uemura's creative director Kakuyasu Uchiide [aka Hottie McTalented-san] will be at Selfridges in London for a preview of the Shu x Karl Lagerfeld Mon Girl collection. 'Learning Atelier' sessions will start at 11am, 2pm and 5pm, during which Mr Uchiide will talk through the collection and demonstrate looks using the new palettes on a model, and then customers can play/practise at the vanity stations themselves, each helped along by a personal Shu Uemura makeup artist. Booking is £30 redeemable and the no. to call is 0207 318 3962.
  • Chanel's new range of Rouge Allure Intense lipsticks will be released on Friday 14th. The twinsets nail polish and Rouge Allure Velvet shades are currently available at Selfridges London and John Lewis Oxford Street; they're meant to be in Chanel boutiques as well but if you can't track them down, it's worth giving either of those shops a call.
  • Shiseido Lacquer Rouge are due out on the 30th. FINALLY.
  • Debenhams' sale (this week :P) involves 10% off beauty and an extra 500 points for every £40 spend. Which is just over a 20% discount, like our own Sephora F&F. But pricier.
  • Meanwhile House of Fraser is offering £10 off 10 products [including Rouge G lipsticks, the new YSL Teint Touche Eclat foundation and Dior quints] when you spend £50 on beauty. Both instore and online, this runs until the 23rd.
Selfridges' new Beauty Workshop area (which Haru already blogged about) means there's now a convenient central London place to swatch and buy Belmacz, Bite Beauty, Butter London, Ciaté, Eyeko, Jinnylash, Louise Young brushes [the full range! unlike Fenwick/Harvey Nick's sad selection], OCC and Youngblood, as well as RMK with a more spacious counter. It's located round the back of the main beauty hall (past Clarins/Clinique) and wraps all the way to the high street brands (Miss Selfridge/Monki), taking in stations for hair, nails and brow-shaping as well as this dinky little play area
where you can indeed go and have seat and swatch stuff, using the tissues, q-tips and cotton pads supplied. The salesfolk are happy to leave you alone to browse [this is the Sephora-ish schtick of the area] but also easy to flag down if you want to buy something; I also saw a few giving customers mini-makeovers upon request.

To give an idea of scale, this is about 1/3 of the space so far [aren't those Ellis Faas bullets cool?]:

It's not all clinical efficiency; scattered throughout are weird cultish little beauty treats, like these lipbalms from NPW (shades of P&J kitties....):

Other brands present (slightly odd choices I thought): Paul&Joe, Stila and Topshop -- to be updated as there's still a boarded-up section.


Now, swatches! As usual, pictures taken in natural light (indirect sun) unless otherwise specified.

BY TERRY Luxuriant Collection introduces five new shades of Rouge Terrybly (which, epically horrid range name and shade names aside, rivals Suqqu Creamy Glow as one of my favourite lipstick formulas -- moisturising, opaque, flatteringly silicone-laden satins to plump out liplines, lasts HOURS sans fuss or muss). These shades seem to me to shade from high summer to late autumn.
By Terry Rouge Terrybly lipstick swatches 400 21 VD, 401 Guilty Nude, 402 Red Ceremony, 403 Bare Instinct, 404 Carnal Attraction
400 21 VD is a bright orange coral
401 Guilty Nude (hijinks in the sacristy...?) a pretty melon pink coral, sheerer than the rest
402 Red Ceremony is a warm slightly muted red [an opaque version of Nars Autumn Leaves]
403 Bare Instinct is a browned rose with a hint of plum
404 Carnal Attraction is all-out plum with a cool fuchsia base
I don't know why my arm hates darker shades; I promise 404 Carnal Attraction does not look this uneven on my lips. Same goes for the YSL Les Mats 205 Prune Virgin which I went back to try after swatching last time.

The three new shades of Ombre Blackstar cream shadows comprise two satins (9 Velvet Orchid
and 10 Midnight Forest) and one low-shimmer metallic (11 Beyond Gold). While the pigmentation and texture of these were back to the excellent quality I expect from this range [after the sheer patchy-gritty messes of 7 Fizzy Jade and 8 Paradise Island released this summer], I think Beyond Gold looks awfully if unsurprisingly similar to Topshop Sunshower Crayon.... 
By Terry Ombre Blackstar cream eyeshadow stick swatches 9 Velvet Orchid, 10 Midnight Forest, 11 Beyond Gold
By Terry Ombre Blackstar cream eyeshadow stick swatches 9 Velvet Orchid, 10 Midnight Forest, 11 Beyond Gold
full sun


ILLAMASQUA Generation Q was one of my most-anticipated releases of the season and now it's one of my biggest disappointments of the season. With the exception of Wisdom liquid liner (stunning, complex, already on my wishlist; multi-angle spam below) and Magnetism lipstick (finally Illa release a formula that doesn't make my lips crack before I've even finished applying it), the textures and finishes made this collection an easy pass for me. Handily, you can see both those very items on Grace London :)

Illamasqua Generation Q swatches Underworld, Magnetism lipstick, Aurora gleam highlighter, S.O.P.H.I.E Sophie Allure blush
Underworld lipstick is an unholy mess of patchy, frosty, dry iridescent violet. Call me old-fashioned but I think a shade this bold should be more opaque -- this is four layers; one just looked like space-frostbite.
Magnetism is a lovely glossy, squishy cream (a crelly to borrow nail polish lingo), a slightly cool-toned raspberry rose.
Aurora is an extremely frosty pale white gold powder highlighter.
S.O.P.H.I.E is a gorgeous mid-toned rose powder with gold sparkle. Lots.
Allure is a brick rose, again with the gold sparkle. Did I mention it's chunky too? Like Nars-Multiple-sized chunks?

Illamasqua Generation Q swatches Underworld, Magnetism lipstick, Aurora gleam highlighter, S.O.P.H.I.E Sophie Allure blush
Angled fuzzy shot: note how the solid frost of Aurora contrasts with the glitter in the blushes? Either way, DNW.

Ahh, let's look at delicious Wisdom instead :D This was richly pigmented and applied like a dream, with the complex sparkle evenly distributed throughout the line. Fat swatch here because a. more visible and b. PRETTY but you can of course draw fine ones with the applicator (identical to MUFE aqua liners, Stila sparkle liners, Mac Liquidlasts etc.)
Both glosses were on the sheer side (this is 2 thickish coats layered) and in Illamasqua's usual sticky, candy-scented formula. Opulent has multitonal sparkle; Boost has tonal shimmer and a bluish iridescent base.
Illamasqua Generation Q swatches Wisdom liquid liner Opulent Boost lipgloss

Full sun pictures:
Illamasqua Generation Q swatches Wisdom liquid liner Opulent Boost lipgloss
Illamasqua Generation Q swatches Wisdom liquid liner Opulent Boost lipgloss

The palettes had been already reviewed / swatched by the time I lurched over to the counter, so I didn't bother. My thoughts on the dry, patchy textures and disappointingly uneven colour-payoff basically tally with Temptalia's. Ah well. As always, I loved the concept and imagery of this collection, and will be going back to it for inspiration -- for years to come, if past Illamasqua collections are anything to go by.